At the railway station she pushes and elbows her way through the crowd. She just wants to get on the train, not to lose sight of her sister, for this part of her journey to be over. She doesn’t know that she will never see her parents alive again. She doesn’t guess that this moment will be replayed forever in the scribble of her pen. She doesn’t know that she is a poet, this Jew child escaping Hitler. Forty years later she sits at a desk in the semi dark of twilight and writes a poem for the grandson she will only ever see twice. He is tied to a dining room chair by a bed sheet, pulling faces at his sister, similarly restrained. His mother is sitting in the kitchen next door, crying softly, her cheeks red from the effort of wrapping the sheets around her children, tying tight knots. In an hour the children will be asleep, forcing the chairs to tip, their small faces soft in repose. A string of drool escaping from the lips of her son makes a wet patch on her shirt as she carries him to bed, her eyes still red. Somewhere in the endless heat of the Middle East their father is learning to fire a gun in the desert. The children are as far from his mind as the reality of death, so life affirming is this moment; what purpose is in the crook of his arm as he aims and fires at the horizon, how much a man he feels. In a bar five miles from the home of the children, a man with a jowly face and sallow skin around his eyes is drinking whiskey. He does not look like a monster. He has sad eyes. He is lonely. One day a woman who he has never met will be hanging dead from a noose made from shoelaces and neckties knotted together, and her last thought will be of this man. But he will never know her; never look into her eyes and see the hatred floating on the surface, like filthy petrol scum.